Banking Tech Awards USA
Full-event coverage capturing the stage, winners, atmosphere, and the moments people remember.
(opens on YouTube in a new tab)Corporate Events
Corporate events, filmed in New York.
Conferences, summits, awards nights and executive conversations, covered end to end by a filmmaker-led crew and cut into film your team can use long after the room empties.
Recent clients
Selected Event Work
Awards nights, conferences, and stage conversations.
The Complete Event Story
One crew covering the whole day, not just the part on stage.
Stage and speakers
Every session covered wide and tight, with clean audio off the desk.
Audience reactions
The room listening, laughing and applauding, which is what sells the day.
Atmosphere
The venue, the lighting and the scale of it, filmed as a place.
Networking
The conversations between sessions, where much of the real business happens.
Interviews and testimonials on the day
Executives, customers, and attendees, briefed and filmed between sessions.
Sponsor details and b-roll
Branding and activations covered so partners have something to show, plus the texture that holds every edit together.
What You Receive
A set of films built from one shoot, organized and ready to publish.
Highlight film
The whole event as one short, cinematic cut.
Full sessions and panels
Complete talks, edited, colour corrected and titled.
Interview and testimonial clips
Each voice cut as its own standalone piece.
Vertical cutdowns
Vertical 9:16 versions for social, cut from the same footage.
Captions
Burned in, or as separate files, wherever you need them.
Organized footage
The full library, labelled and dated, so nothing is lost.
Livestreaming and event photography can run alongside the same shoot as add-ons.
Turnaround is agreed before the shoot and scales with the event: raw footage first, finished films after.
Filmmaker-Led
Filmmaker-led from planning through final delivery.
I work directly with your team to plan the coverage, guide the interviews, and hold the visual standard from the event through the final edits. When the scope calls for additional camera operators, audio, livestreaming, or photography, the crew expands around the event, and I stay responsible for the production either way.
On a live event day, that continuity matters. Decisions get made by someone who already knows the schedule, the priorities, and which moments cannot be repeated.
How it runs
Plan
A run of show, the shot list, and the crew the day actually needs.
Film
Multi-camera coverage, clean audio, interviews scheduled around the agenda.
Deliver
Edits, cutdowns, captions and the organized library, in one handover.
What Clients Say
Producers on how the day went.
“Since those two events, I have gone back to him multiple times for his help on other miscellaneous projects for my firm. I strongly recommend his services!”
Onboarding Specialist, Cents · excerpt“He made the whole process easy for us from the very beginning. He clearly outlined his process, deliverables, and timeline, and plugged into our onsite team seamlessly.”
Nicole D’Alonzo — Co-Founder, Social Fresh“Beka is a pleasure to work with. Not only is he an expert in his field, he always brings a can-do attitude. Beka never passes on any opportunity to take on new projects and once committed is on time and on budget. He is collaborative, creative and just wonderful to work with. I recommend Beka to anyone who is looking for a great video production project and experience.”
Chitra Vivek — Strategic Leader
Read more client recommendations on LinkedIn → (opens on LinkedIn in a new tab)
Get a Proposal
Before you ask
- How far ahead should we book?
- As early as you can, though I have covered events booked the same week. Earlier means more time to plan the coverage around your agenda.
- Can you cover more than one room?
- Yes. Crew and camera count scale to the agenda and the venue, so parallel tracks are covered rather than sampled.
- Do you take audio from the venue desk?
- Yes, with a separate recording running as backup on every session, and lavaliers on speakers where the room is difficult.
- Who owns the footage?
- You do. The organized library is yours to keep, raw files included, with no licensing terms attached.
Tell us about the event.
Five details are enough to start. I’ll personally review them and reply with next steps and what I need to prepare your proposal.