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Corporate Events

Corporate events, filmed in New York.

Conferences, summits, awards nights and executive conversations, covered end to end by a filmmaker-led crew and cut into film your team can use long after the room empties.

Recent clients

  • Two speakers in conversation on a lit stage in front of a seated audience
  • Monitor on a camera rig framing an interview subject at a conference
  • Operator monitoring audio on headphones beside a rigged camera on the show floor

The Complete Event Story

One crew covering the whole day, not just the part on stage.

  • Stage and speakers

    Every session covered wide and tight, with clean audio off the desk.

  • Audience reactions

    The room listening, laughing and applauding, which is what sells the day.

  • Atmosphere

    The venue, the lighting and the scale of it, filmed as a place.

  • Networking

    The conversations between sessions, where much of the real business happens.

  • Sponsor details

    Branding, activations and signage, covered so partners have something to show.

  • B-roll

    The texture and cutaways that hold every edit above together.

  • Executive interviews

    Leadership on camera, settled and briefed before the first question.

  • Attendee testimonials

    Customers and guests caught on the day, in their own words.

What You Receive

A set of films built from one shoot, organized and ready to publish.

  • Highlight film

    The whole event as one short, cinematic cut.

  • Full sessions and panels

    Complete talks, edited, colour corrected and titled.

  • Interview and testimonial clips

    Each voice cut as its own standalone piece.

  • Vertical cutdowns

    Vertical 9:16 versions for social, cut from the same footage.

  • Captions

    Burned in, or as separate files, wherever you need them.

  • Organized footage

    The full library, labelled and dated, so nothing is lost.

Livestreaming and event photography can run alongside the same shoot as add-ons.

Turnaround is agreed before the shoot and scales with the event: raw footage first, finished films after.

Beka Virtue setting up a camera rig on location

Filmmaker-Led

Filmmaker-led from planning through final delivery.

Bia Production is led by Beka Virtue, who works directly with your team to plan the coverage, guide interviews, and maintain the visual standard from the event through the final edits. When the scope requires additional camera operators, audio, livestreaming, or photography, the crew expands around the event while Beka remains accountable for the production.

On a live event day, that continuity matters. Creative decisions are made by someone who already understands the schedule, priorities, and moments that cannot be repeated.

How it runs

  1. Plan

    A run of show, the shot list, and the crew the day actually needs.

  2. Film

    Multi-camera coverage, clean audio, interviews scheduled around the agenda.

  3. Deliver

    Edits, cutdowns, captions and the organized library, in one handover.

Client Feedback

Two producers on how the day went.

He made the whole process easy for us from the very beginning. He clearly outlined his process, deliverables, and timeline, and plugged into our onsite team seamlessly.
Nicole D’AlonzoNicole D’AlonzoCo-Founder, Social Fresh
Since those two events, I have gone back to him multiple times for his help on other miscellaneous projects for my firm. I strongly recommend his services!
Brooke PrestonBrooke PrestonOnboarding Specialist, Cents

Get a Proposal

Before you ask

How far ahead should we book?
As early as you can, though we have covered events booked the same week. Earlier means more time to plan the coverage around your agenda.
Can you cover more than one room?
Yes. Crew and camera count scale to the agenda and the venue, so parallel tracks are covered rather than sampled.
Do you take audio from the venue desk?
Yes, with a separate recording running as backup on every session, and lavaliers on speakers where the room is difficult.
Who owns the footage?
You do. The organized library is yours to keep, raw files included, with no licensing terms attached.

Tell us about the event.

Five details are enough to start. We’ll reply with next steps and what we’d need to put a proposal together.